Compare and Contrast Auden’s and Faulks Essay Example for Free

Compare and zephyr of reasoning Audens and Faulks EssayBoth Sebastian Faulks and W. H. Auden write ab erupt the tales of Jewish refugees living in the date of final solution during WW2 in their twain pieces, The Last Night and Refugee discolour. By using literary techniques such as imaginativeness and tone both writers, Auden and greyness compel a sense of mania for the characters portrayed in their writing. Both Auden and Gray puddle a sincere illusion of reality to promote the refugees alienation and suffering in both stories ultimately bringing the cardinal gripping tales to life. Both Auden and Faulks purpose imagery as an extremely strong literary device to create alienation towards the refugees in their deuce stories. forthwith Auden introduces the lecturer to the impossible situation that the characters that they celebrate themselves in. Auden manipulates kindly structure and the feeling of alienation towards the refugees with the use of inseparable imagery . Lines such as saw a door opened and a cat let in and Thought I heard thunder rumbling in the sky they must die.These two lines not only show the manner in which the refugees have been regarded as completely inferior just now also that they are allowed to die, disregarding the concept of escape. In Faulks The Last Night, though not as frequently, also uses natural imagery to highlight the distressing solitude of the refugees and their impossible situation. Though none of the scraps r apieceed as far as the enclosure. The word enclosure emphasizes how the Jews had been cast aside as social dirt as animals are normally associated as being hoarded into an enclosure by human beings.The two pieces Refugee blues and The Last Night differ significantly in the way that they are written. In Audens Refugee Blues the story of the refugees is told through a poem with three lines in each stanza. Whereas in Grays The Last night the structure follows more of a story and is written in the tri plet person. Audens poem is written to the tune of blues music, which was very popular and fashionable at the time the poem was written.Say this city has ten million souls, whatever are living in mansions, some are living in holes. The rhythm created throughout provokes a melancholy atmosphere to be see by the reader enticing compassion towards the refugees and further discriminating and separating the Jewish characters and their race from the rest of the world. irrelevant Gray, Faulks writes the The Last Night in the form of a historical fiction indicating the lack of a limited rhythm in which the story can be read.These contrasting rhythms though seem to create to corresponding feeling of sadness and empathy towards the characters. Faulks choice of diction and literary techniques match with the rhythm and tone of Refugee Blues and create a huge sympatheticity between the way the two poems are written to create alienation towards the refugees. Auden and Faulks use foreshadowi ng both subtly and palpably early on in each text to show what will happen in the near future of the two stories.Faulks in peculiar(a) manipulates this technique to show upcoming events. In the opening statement Andre and his brother Jacob to a preoccupancy clique presented in bold for added effect, Faulks immediately introduces the reader to the ignorance and innocence of the children not being able to fully ascertain their predicament because they are both at such a young age. They do not assure the harsh reality that has befallen them and the rest of the Jews in Europe.As orphaned children they have already been split up from their parents and this can be interpreted as a model for other families who are situated with the two boys. That pain and sorrow will be felt and loneliness endured by all the children going to the concentration camp. Additionally, in the second paragraph of Faulks text he speaks of a woman handing out nutrition and people having food for the journey. This can be deduced by the reader as another use of foreshadowing. It was believed that Adolf Hitler was of the Christian religion.This scene of people eating food onwards the tragic events that ensue are similar and almost mirror that of the last supper, the Christian fable that exists in the bible where Jesus was last before he was crucified and sent to his imminent death. It is seen as the ultimate betrayal in the bible when Judas sold out Jesus to the Romans for thirty silver coins. The connection between the two estranged events though shows that, just wish Jesus, the ignorant children are completely unaware of the fact the food being handed out represents to the reader that the end is near as did the last supper for Jesus.This could be seen as the Faulks demonstration of Hitlers slenderly extreme impiety displaying him as Judas even though Hitler was of Christian religion. In Refugee Blues Auden writes in his number 1 paragraph Yet theres no place for us, my dear, yet ther es no place for us. Auden exploits the predicament of the refugees to demonstrate that they are completely alone and segregated from society and they are regarded as substandard population and presages what is to come for the Jews at the conclusion of the poem.With the use of Irony Auden ends the poem on the line Looking for you and me, my dear, looking for you and me. After so much suffering was brought to the refugees by being neglected by people who thought to be superior human beings, they were finally being sought after unless only to taken to their inexplicably to their death, meaning that there is still no place for them in the society that they will no longer live in.In conclusion Both W.H. Auden and Sebastian Faulks tell the tragic tales of Jewish Refugees who find themselves in an impossible situation. Their attention to detail is impeccable allowing the reader to be engulfed in the story and translate with the characters and live the story. Both manipulate certain ide as, themes and literary devices using similar and contrasting ideas to ultimately create a sense of great alienation towards the refugees in each tale.