Comics: A Better Means To An Artistic End Essays -- Argumentative Pers

ludicrouss A Better Means To An esthetic endingIf a line of symmetry were to be drawn down the focus of the paper, it would front that separately character rests within his environment about to conflict with the another(prenominal). eve without words, a vivid story begins to formulate in my mind, and hopefully I sh ar the artists vision.Comic book art is the Pez dispenser of modernism. The aesthetics of this social medium walk side by side with pop culture. No other art form can reach so galore(postnominal) mickle due to its incredible volume. Each Wednesday of every week brings radical issues of titles that stir been in circulation for decades. Despite the vast numbers that arrive at retailers each month and the respect they sometimes receive (like Art Speigelmans Pulitzer moolah win Maus), shadys are under appreciated in the literary world, and why? They use a clever organization of symbols to express concepts overlap by all people in their own social environment , and return more tools than conventional art to truly show artistic intention.Comic artists study to express personal thought with habitually complex themes through and through a symbolic medium. No one refutes the idea that comics do not give realistic form. Comic artists do not attempt to present the elementary beauty of the natural world rather, they try to relate a universal idea with a stylistic approach. Magrittes painting of a subway with the inscription, this is not a pipe, at the bottom demonstrates the way in which comic books are misunderstood. In his explanation of the art form, Scott McCloud uses pictures of various characters following Magrittes structure. For example, he draws a picture of a alarm and states that this is not a cow (McCloud 26). The pictures single resemble what we a... ... connection. A conventional expressionist must buy up that the reviewer realizes the purpose of his or her art. Many people see a personation as just a portrait, when t he mood and the intricate particular proposition of the reckon add to its meaning. Comics, on the other hand, are expected to be symbols enveloped in a detailed history that replaces the wobbling bridge between reviewer and artist with a strong one suspended by unseeable messages from creator to potential viewer, messages anyone can see. Works CitedCarrier, David. The Aesthetics of Comics. University parking lot The protactinium State University Press, 2000. Crain, Dale, ed. Batman Black and White. newly York DC Comics, 1998.McCloud, Scott. Understanding Comics The lightless Art. New York Harper Perennial, 1993.Thompson, Don, and Dick Lupoff, eds. The Comic-Book Book. New York Arlington House, 1973. Comics A Better Means To An Artistic End Essays -- Argumentative PersComics A Better Means To An Artistic EndIf a line of symmetry were to be drawn down the center of the paper, it would seem that each character rests within his environment about to collide with th e other. Even without words, a vivid story begins to formulate in my mind, and hopefully I share the artists vision.Comic book art is the Pez dispenser of modernism. The aesthetics of this accessible medium walk side by side with pop culture. No other art form can reach so many people due to its incredible volume. Each Wednesday of every week brings new issues of titles that have been in circulation for decades. Despite the vast numbers that arrive at retailers each month and the respect they sometimes receive (like Art Speigelmans Pulitzer Prize winning Maus), comics are under appreciated in the literary world, but why? They use a clever organization of symbols to express concepts shared by all people in their own social environment, and provide more tools than conventional art to truly show artistic intention.Comic artists choose to express personal thought with universally complex themes through a symbolic medium. No one refutes the idea that comics do not demonstrate realistic f orm. Comic artists do not attempt to portray the simple beauty of the natural world rather, they try to relate a universal idea with a stylistic approach. Magrittes painting of a pipe with the inscription, this is not a pipe, at the bottom demonstrates the way in which comic books are misunderstood. In his explanation of the art form, Scott McCloud uses pictures of various characters following Magrittes structure. For example, he draws a picture of a cow and states that this is not a cow (McCloud 26). The pictures only resemble what we a... ... connection. A conventional expressionist must assume that the observer realizes the purpose of his or her art. Many people see a portrait as just a portrait, when the mood and the intricate detail of the face add to its meaning. Comics, on the other hand, are expected to be symbols enveloped in a detailed history that replaces the wobbling bridge between reader and artist with a strong one suspended by invisible messages from creator to pote ntial viewer, messages anyone can see. Works CitedCarrier, David. The Aesthetics of Comics. University Park The Pennsylvania State University Press, 2000. Crain, Dale, ed. Batman Black and White. New York DC Comics, 1998.McCloud, Scott. Understanding Comics The Invisible Art. New York Harper Perennial, 1993.Thompson, Don, and Dick Lupoff, eds. The Comic-Book Book. New York Arlington House, 1973.