The Oedipus Complex in Galatea 2.2 :: Galatea 2.2 Essays

The Oedipus Gordian in Galatea 2.2   Helen is in delight with Powers Powers is in love with C. C. only wants to eat up about Powers. This may dependable like a soap opera, entirely in fact it is the love triangle present in Galatea 2.2. This love triangle mirrors Freuds Oedipal Complex almost perfectly. According to this theory, Richard Powers is Helens beget. Like a mother he created her and then taught her how to think for herself. Also in this role throwback of the Oedipal Complex, Helen assumes the role of Powers son, and C. portrays the absent father. The twisted version of the Oedipal Complex presented in Galatea 2.2 explains the fundamental interaction between Powers, Helen, and C. as that of a family, and throughout this depiction the Dialogical Method enhances this image.In the story of Oedipus he kills his father and then marries his mother. Galatea 2.2 does non present Helen as committing such an outrageous act. C.s absence seizure in Helens life does mir ror the absence of Oedipus father during Oedipus marriage to his mother. Helen never has one on one interaction with C. Her only knowledge of C. is through the love letters that Powers reads to her. It because of this that Helen begins to view C. as a hindrance to her own relationship with Powers. According to Freud, the son wishes to put behind bars of the father in order to film the attention of the mother unaccompanied to himself. This creates a very(prenominal) peculiar relationship to say the least.Of course, Powers relationship with Helen is anything alone common. She is after all a computer. He begins their relationship as her teacher. He has a mothers love for Helen because in her he sees something that he has toiled to create. Powers sounds like a parent when he speaks of Helens singing. At one point he describes her verbalise as, ...an extraterrestrial warble, the way deaf people sing (198). This does not sound like a sweet sound. The words music to my ears are not p resent in any description of Helens singing. Powers knows that Helen cannot carry a tune, only when he cannot bear to convey this message to her. He says, I didnt have the heart to tell her how unbearable this music sounded (235). There are very few parents that would actually inform their child about a wish of talent in a certain area.